Reviews
“Caroline Dahm and Haley Kostas’ Circle Back, the haunting Martin Phipps’ ‘Gunpowder’ score fused forms with a female pugilist shadow-match at its core. Boxers and ballerinas: both professions where you have to be supremely light on one’s feet.”
— Back Track
“Kostas could have been just another dance company, but instead, creator Haley Kostas tapped into something greater..”
— The Pitch
“Relations between dancers and indeed with the audience were often abstractions or positively conflictual – very strikingly in the accusatory, aggressive gazes common in Kostas’ About Looking”
— Back Track
“Kostas created quite a compelling narrative which often left this viewer with flashes of surrealism..”
— Broadway World
“Kostas is a true wonderment of physical storytelling. Dark, seemingly erratic motions are broken up by quiet, contemplative written vignettes regarding personal freedom and the burdens of creativity.”